The importance of Post Standing (Zhan Zhuang)

An excerpt from: http://chentaijiquanworld.blogspot.com/2014/01/can-modern-students-cope-with.html

Advice from 'old Taiji Sifu':

"You must practice Post Standing (Zhan Zhuang). No matter which Chinese martial art you study, Post Standing is considered fundamental practice. In ancient times, students had to practice standing for one or two years before they were allowed to learn any forms. That is why each generation produced outstanding martial artists. Society and people's way of thinking have changed, making adapting to these requirements difficult...If you skip the fundamentals, your form will remain undeveloped and you will be ridiculed by experts." 

Notes on Wuji Qigong

Qigong - Essence of the Healing Dance

By Francesco Garri Garripoli

Wuji Hundun Qigong, is a 1,200-year-old health maintenance system from China handed down by 95 year-old Master Duan Zhi Liang of Beijing, China. Drawing on Taoism, Buddhism, the Wuji form conforms to the basic principles of Traditional Chinese Medicine (TCM) which in fact sprung from Qigong concepts that go back 5,000 years. Like all Qigong in this way, the enhanced movement of Qi (life-force, bioelectric vitality) is promoted throughout the body as well as the storing and strengthening of Qi for good health. TCM believes stagnant Qi leads to all pain and disease. Proven useful for healing many diseases, this simple style actually has it's roots in ancient wushu swordplay and gong fu (Kung Fu) inner cultivation of Qi--as useful for the healer as it is for the warrior...and soon we understand how they are one in the same…

Wuji Hundun Qigong is a unique blend of inner (Nei Qi) and outer (Wei Qi) cultivating techniques. Master Duan comes from the practical "old school" of healing arts. He believes a practitioner must also be a teacher. A healer must be a warrior. An intellect must pursue the arts. Our prayer is to seek balance…and we seek balance by letting go of "form"…and seek the essence of all things.

Wuji Qigong is an exercise and stretching system, focusing on synchronizing the breath with slow movements and guided visualizations. Upon deeper study, the transformative nature of this health maintenance modality becomes apparent. Balancing the Taoist and Buddhist traditions of China, Wuji Hundun Qigong seeks to strengthen the body (the mandate of the Taoists) while enhancing spiritual life (the essence of the Buddhist doctrines.) Ultimately, a merging of the two takes place, not intellectually, but through "wu xing" or deep, emotional understanding. Written and oral teaching can only seek to trigger and stimulate you, the true wu xing must come from within--as the truth derives from nature and is constantly accessible. Through cultivating your inner Qi and spirit, you become strong, not as an "individual" against the world but as an integral part of the world; a mirror reflecting light…Sincere practice with an intention to remain receptive is the key…as we come to realize the holistic nature of Wuji Qigong will effect the body, mind, and spirit. 

When all aspects of our life are embraced and brought into balance--from our diet to our daily activities--Qigong's true benefits will emerge. The accompanied reduction in stress will allow our natural healing abilities to work efficiently and we will begin traveling the path of true healing and well being.

May the stretching and opening forms of this style of Qigong, which is equally influenced by the Wushu Martial Arts and Wei Qi healing techniques, help you to remember the natural gifts and tools you possess. The process helps to rebalance stagnation and blocks (the source of all pain and disease.) This process also helps us to cultivate our sensitivity to the subtle forces of Qi…and to bring our conscious intent to where it is required. As the old Chinese maxim states, "Where the mind goes, Qi follows." May we always remember the resonant relationship we have with the world around us.

Bruce Lee on Formless Form

Notes from Bruce Lee

I have not invented a "new style," composite, modified or otherwise that is set within distinct form as apart from "this" method or "that" method. On the contrary, I hope to free my followers from clinging to styles, patterns, or molds. Remember that Jeet Kune Do is merely a name used, a mirror in which to see "ourselves"...  Jeet Kune Do is not an organized institution that one can be a member of. Either you understand or you don't, and that is that. There is no mystery about my style. My movements are simple, direct and non-classical. The extraordinary part of it lies in its simplicity. Every movement in Jeet Kune-Do is being so of itself. There is nothing artificial about it. I always believe that the easy way is the right way. Jeet Kune-Do is simply the direct expression of one's feelings with the minimum of movements and energy. The closer to the true way of Kung Fu, the less wastage of expression there is. Finally, a Jeet Kune Do man who says Jeet Kune Do is exclusively Jeet Kune Do is simply not with it. He is still hung up on his self-closing resistance, in this case anchored down to reactionary pattern, and naturally is still bound by another modified pattern and can move only within its limits. He has not digested the simple fact that truth exists outside all molds; pattern and awareness is never exclusive. Again let me remind you Jeet Kune Do is just a name used, a boat to get one across, and once across it is to be discarded and not to be carried on one's back.

The highest technique is to have no technique. My technique is a result of your technique; my movement is a result of your movement. A good JKD man does not oppose force or give way completely. He is pliable as a spring; he is the complement and not the opposition to his opponent’s strength. He has no technique; he makes his opponent's technique his technique. He has no design; he makes opportunity his design. One should not respond to circumstance with artificial and "wooden" prearrangement. Your action should be like the immediacy of a shadow adapting to its moving object. Your task is simply to complete the other half of the oneness spontaneously. In combat, spontaneity rules; rote performance of technique perishes.

Though they play an important role in the early stage, the techniques should not be too mechanical, complex or restrictive. If we cling blindly to them, we shall eventually become bound by their limitations. Remember, you are expressing the techniques and not doing the techniques. If somebody attacks you, your response is not Technique No.1, Stance No. 2, Section 4, Paragraph 5. Instead you simply move in like sound and echo, without any deliberation. It is as though when I call you, you answer me, or when I throw you something, you catch it. It's as simple as that - no fuss, no mess. In other words, when someone grabs you, punch him. To me a lot of this fancy stuff is not functional. There must be a 'being' instead of a 'doing' in training. One must be free. Instead of complexity of form, there should be simplicity of expression. To me, the extraordinary aspect of martial arts lies in its simplicity. The easy way is also the right way, and martial arts is nothing at all special; the closer to the true way of martial arts, the less wastage of expression there is.  In building a statue, a sculptor doesn't keep adding clay to his subject. Actually, he keeps chiselling away at the inessentials until the truth of its creation is revealed without obstructions. Thus, contrary to other styles, being wise in Jeet Kune-Do doesn't mean adding more; it means to minimize, in other words to hack away the unessential. It is not daily increase but daily decrease; hack away the unessential.

When one has reached maturity in the art, one will have a formless form. It is like ice dissolving in water. When one has no form, one can be all forms; when one has no style, he can fit in with any style. I'm not saying form is not important - economy of form that is - but to me, efficiency is anything that scores. Don't indulge in any unnecessary, sophisticated moves. You'll get clobbered if you do, and in a street fight you'll have your shirt zipped off you.

Harmony and Unity of Whole Body

Notes from Master Wang XiangZhai

No matter which posture you practice, whole body must be relaxed. After assuming posture, you shouldn't change it. All joints should be slightly bent. You should put your attention to relax of body, but it means the state of relaxed but not slack; tense, but not stiff. Which means that basis for relax is keeping harmony and unity of whole body. In martial art it is called "three internal harmonies and three external harmonies." 

Internal: harmony of heart and intention, intention and energy, energy and force. 

External: harmony of palms and feet, elbows and knees, shoulders and hips. 

Inside body empty agility; outside body balance and roundness. Intention for use, body as basis, non-movement for harmony, unity of form and intention. Getting intention from form, intention is born from form, form is following intention. External and internal are one. Only by practicing long time you can master the spirit of these principles.

Seek Fullness of Spirit and Intention

Notes from Master Wang XiangZhai

Although the principles are simple and easy, for a beginner it is not easy to understand them. What is important is spirit, and not seeking superficial form. Mind should embrace the whole and the internal. A part should not disturb the unity of the whole. External movement should not spoil internal harmony. Whole body should be naturally relaxed and light, you should keep pleasant mood, as if taking a pleasant bath in the great bathroom of nature. To achieve this, before starting exercise you should calm mind, get rid of disturbing thoughts. You should also put attention to four external attributes and five demands. 

Four external attributes: straight head, straight sight, posture of dignity, calm voice. 

Five demands: respect, carefulness, intention, truth, harmony. 

You should be respectful towards people and all matters. You should express your intentions truly. You shouldn't be rude toward anyone or anything, you shouldnít harm anyone. These are demands for character and external behavior of practitioner. He/she should keep the attitude and feelings like those of children toward parents, of parents toward children. When talking about exercises, you should seek fullness of spirit and intention, not resemblance of form. This is the basic demand of training.

Wikipedia on Yiquan

Yiquan, also known as dacheng quan, is a martial art system which was founded by the Chinese xingyiquan master, Wang Xiangzhai (王薌齋).

Yiquan is essentially formless, containing no fixed sets of fighting movements or techniques. Instead, focus is put on developing one's natural movement and fighting abilities through a system of training methods and concepts, working to improve the perception of one's body, its movement, and of force. Yiquan is also set apart from other eastern martial arts in that traditional concepts like qi, meridians, dantian etc., are omitted, the reason being that understanding one's true nature happens in the present, and that preconceptions block this process.

Overview

The actual training in yiquan can generally be divided into:

• Zhan zhuang (站樁) Standing pole postures where emphasis is put on natural condition, working to improve listening to the body and on developing hunyuan li, "Natural living force" or "all things that make the whole".
• Shi li (試力) Testing force moving exercises, trying to bring the sensations of hunyuan li developed through Zhan zhuang into movements.
• Moca bu (摩擦步) Friction stepping Shi li for the legs.
• Fa li Emission of force a practice later dropped by Wang.
• Shi Sheng Producing sound with voice a high level occurrence, only relative to those with formidable understanding already in place.
• JiJi Fa Real combat not sparring.

Principle of Nature: All truth and action occur in Shunjian, the split second of now. Everything before and after this moment is 'Wu', the Void, and thus, uncontrollable or unknowable. All objective and preconception is fixed and not in accordance with this undetermined state of Nature. "The Dao that is called the Dao is not the eternal Dao".

Formless Relaxation, Agility of Spirit

By Master Wang XiangZhai

Zhan zhuang is a form of exercise where you are seeking strength in lack of strength, seeking slight movement in non-movement, seeking fast movement in slight movement. The more relaxed the body, the faster blood circulation and the faster increase of strength. If using force, body becomes tense, loosing ability of agile changes, it can even cause disturbance of blood flow. Proper kind of force is mainly related to spirit and is formless. If there is a form of force, the essence of movement is lost. This is why masters of old were saying: if there is form, body is broken, when there is no form, spirit gathers. In other words, when body is relaxed as much as possible, spirit focused as much as possible, although external form doesn’t look impressive, there is agility of spirit. Those who practice for longer time can experience this.

Presidents Day Email from Coach Jim Roselando

To join our mailing list sign up here: http://mailman.mit.edu/mailman/listinfo/qigong

Date: 2/21/11

From: Jim <info@apricotforesthall.com>

Subject: Strength From No-Strength

Just a little reminder that we will be training tonight @ MIT!  If you are off for today's holiday then this is a perfect night for a powerful session of Zhan Zhuang Qigong!  Bring some friends and introduce them to the pound for pound most simple and effective internal health art known to humanity!!!!   

One of the most common statements in the Yiquan art is: 

Develop Strength From No-Strength!  

Listen to what Master Wang Xiang Zhai had to say about this maxim:

"The Standing Pole exercises seek to develop strength from no-strength (non-exertion), movement from non-movement, and rapid movement from slight movement.  The more relaxed the body, the faster the circulation of blood, and the faster strength will develop.  If one exerts brute strength one will tense up, and the body will thus lose its spontaneous flexibility, often to the point of obstructing blood-flow.  This (relaxation's) type of strength is largely formless, and of the mind (shen).  If one uses the strength of "form", then the intrinsic nature of movement is lost...  When the body is relaxed as possible, the mind (shen) is completely collected.  Thence, though the form may appear base and sluggish, the mind is agile."